about a building

It is perhaps easy to hate Warsaw’s Palace of Culture and Science. Looming tall from almost anywhere in a city that until recently didn’t seem to have many high rises, the 237 meter tower seems to assert from afar a crushing presence, a strong remnant of the Cold War – a somewhat ambiguous presence: yes, very Russian, very Soviet Russian, very Lomonosov-like. Yet also very New York-like, although a very heavy set, a very weighed down Empire State (the difference is not that significant: the Warsaw building is more than half the height of the Empire State if measured to its mast, something interesting to remember – and more than 60% the official height of the Empire State). But it is also much wider, and unlike the New York building, set into the middle of an enormous plaza that seems to have been empty of other tall buildings until recently.

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To open space for this, Wanda told me they tore down many blocks of what looked like a typical Central/Eastern European capital, of which only this remains.

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So there you are, a huge parking lot or space for cars (or pedestrians or military parades or now those terrible Polish November 11 fascist demonstrations) – the photograph only shows a fragment of the empty space that used to be a European City Center and was torn down by Stalin as part of his gift to the city of Warsaw.


P4023316 The building has an interesting history. Erected in 1955, at the height of the early stages of the Cold War, it was an assertion of Stalinist power in an emblematic city. More interesting to me perhaps are the stories Roman and Wanda told me: how Roman used to go to the Math Department (or Math Institute) that was for some time in some high floor of the tower, how he used to go as a kid or young student to the Muzeum Techniki, on one of the side facades of the building, and see a lot of interesting exhibitions there (I didn’t ask more details)… P4023345
or how Wanda used to go swimming in a public pool on the sports side of the building as she needed credit for Physical Education during her university-level Art studies. Or how excellent jazz (Miles Davis, etc.) was played there in the enormous Sala Kongresowa – where for sure important Congresses of the Party were also held… or even how the only strip club – the only official one – was also in a restaurant and bar in the building, Restauracja Kongresowa – open only to high officials of the Party or associates open to the public; at least those who had the money to pay for it.

The sides of the building have many stern statues of workers, teachers, reading the Big Canon, some of them with generic “European” features, but some of them also with Asian or African features (also generic) – perhaps to symbolize the friendship of peoples. Of course, also athletes – modestly covered (this is not Ancient Greece, nor even Poland of the 17th Century where Renaissance style statues – but the “modest” cover is sometimes quite revealing), all of them (the teacher, the reader, the worker, the athlete) with very squarish bodies.

And slowly, while walking around the building and hearing the stories, I start to like it somehow. Not the looming towering figure, perhaps, but the idea of having a building half the height of the Empire State and perhaps much wider, all devoted to music, to mathematics, to science museums, to sports, for sure to many other things along those lines (yes, and also to Party reunions and official meetings and perhaps truly horrific people also).

These days, we only seem to see that massive construction in malls, commercial venues, corporate buildings, banks, Met Life things, hotels. Even sports venues seem to be done in a very different way (of course we have huge “arenas” – often named for some company – for professional sport spectacles). Devoting a whole palace of that size to something like “culture” (whatever its intended meaning) seems more remote today than ever – especially culture including mathematics, art, science and sports (doing sports as opposed to watching them). I could understand why Roman seemed to like the Palace of Culture and Science, or some aspects of it. I would also like a building where you can listen to Miles Davis, go to an advanced seminar in Mathematical Logic, see Art and Science Museum exhibitions and go swimming or perhaps doing some judo.

But I can also understand Wanda’s dislike with the wasted City Center. After the “regime change” (1989), the whole area seems to be on a parade of newer buildings that try to overshadow the Palace of Culture:

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Right in front, a Liebeskind building (left in the photo), some banks and other corporations – everything very new – remotely reminiscent of some New York areas (Bryant Park, without the playfulness). Corporate Europe standing in front of Communist Europe as if defying and saying “see, you lost!” yet those new buildings feel somewhat insecure, somewhat contrived, somewhat insubstantial in front of the Pałac Kultury i Nauki.

P4023306 On the South Western side of the Pałac, from the 1980s, a Marriott. Yes, a Marriott. Apparently the first tower to start to defy the Pałac Kultury i Nauki‘s preeminence, this building made before the change in the economy is really puzzling – it now looks as some kind of prescient gesture to the times that would come to Poland (and the world) after the change: a building that would seem taken directly from Omaha, Nebraska (or Anytown, Anycountry really), stands across large empty space – filled with cars. And a Marriott hotel, with all its cheesiness and all its crassness. This building is difficult to understand. I don’t really know what this building may have meant as a space to Varsovians in the 1980s, during the Martial Law years, after Solidarność.

All in all, this collection of buildings, centered on the Pałac Kultury and showing older Central European buildings, then the Pałac itself at the center of things, then the Marriott (and an interesting Train Station of which I have no photographs), and then the Corporate New Poland buildings… and perhaps next some new things that are not yet built – all of that is a fascinating architectural complex, with slices and layers of European history there in front of your eyes.

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